The definitive record of live music in Washington, D.C. and beyond for the 2010’s

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Live Music: Apex Manor @ The Red Palace 2.21.11

Fresh off SXSW, Apex Manor made their DC debut at The Red Palace Monday night. I’ll get to their performance in a minute but first let’s talk about the room. The remodeled space that combines the upstairs of both Red and The Black and Palace of Wonders has been flying under the radar since it was repurposed, but one glance a their upcoming schedule and it’s clear that they gunning to attract business from some of the larger clubs (Black Cat, 9:30 Club) in the area, and after finally catching a show in this room, it’s clear that they are going to succeed in that.

This is a room where memories are going to be made for both the audience and the bands. It’s small, dark and simple, with an easily accessible bar in the back corner. The sound, as far as I could tell, was impeccable and overall it feels like a tiny club should. This room is built for rock, and so it was that Apex Manor was obliged to bring it.

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Live Music: Wye Oak @ The Black Cat - 3.11.11

The first time I saw Wye Oak, they were opening for Blitzen Trapper at Ottobar in Baltimore. I can’t recall if it was the last night of their tour, or if it was just the first time the duo of Jen Wasner and Andy Stack had been home for a long while. But either way, they made it a point to let us know that this was a sort of homecoming show for them. The two musicians then proceeded to tear through a set that was as ferocious as it was joyful. Blitzen Trapper, as great a band as they are, quite literally ended up as sort of a happy afterthought to the night.

In the two years since that night, Wye Oak has not only managed to hang on to all of that power and all of that joy, they have managed focus it to the point that hearing them play now is akin to standing in the eye of a controlled hurricane.

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Live Music: Wild Flag @ The Black Cat - 2.10.11

When talking about Wild Flag, it’s hard to ignore the ghost of Sleater Kinney. Disregarding the fact that half of Wild Flag is comprised of two-thirds of Sleater Kinney, both bands are made up of all female members who play a unique brand of sludgy, aggressive, almost stoner punk, rock. Add to that the fact that  both bands have it in them to blow just about anyone off the stage they care to, and it’s completely understandable, if not valid, that many could walk away from this show feeling a longing for the return of Carrie Brownstein and Janet Weiss’s previous group. But Sleater Kinney is dead, so long live

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