Month / Year
- November 2022
- October 2022
- September 2022
- August 2022
- July 2022
- June 2022
- May 2022
- April 2022
- March 2022
- February 2022
- December 2021
- November 2021
- October 2021
- September 2021
- August 2021
- July 2021
- June 2021
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- November 2015
- October 2015
- September 2015
- August 2015
- June 2015
- May 2015
- March 2015
- February 2015
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- May 2014
- April 2014
- March 2014
- October 2013
- September 2013
- August 2013
- July 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
Sinkane @ Black Cat - 2/18/2017
Immigrants: they get the job done.
On the cover of Sinkane’s latest album Life & Livin’ It, various items are strewn about to the left and right of musician Ahmed Gallab as if he’s running a yard sale. Each of those items tell a different story. And just as well, the various places where Sinkane has grown up tell a different story. Born in Sudan to parents who sought asylum in the US for their family when he was five, he grew up listening to American music, Afro-pop, and funk music, all of which carried over into a blend of genres that can confidently be called all his own. And at his second Black Cat appearance (the first being a sold-out performance at the smaller Backstage room), he and his multicultural cast of bandmates let the music speak for itself with an enthusiastically positive performance for a world that desperately needs some positivity.