Month / Year
- November 2022
- October 2022
- September 2022
- August 2022
- July 2022
- June 2022
- May 2022
- April 2022
- March 2022
- February 2022
- December 2021
- November 2021
- October 2021
- September 2021
- August 2021
- July 2021
- June 2021
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- November 2015
- October 2015
- September 2015
- August 2015
- June 2015
- May 2015
- March 2015
- February 2015
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- May 2014
- April 2014
- March 2014
- October 2013
- September 2013
- August 2013
- July 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
What's the Bizness?: tUnE-YarDs w/Pat Jordache @ The Black Cat 10/8/11
The always fantastic and frequently mindblowing tUnE-YarDs payed another visit to DC this past Saturday, and I'd like to say we're all a little better for it. Merril Garbus, the engine that drives this "group" is simply one of the best, and most capable perfomers on the scene today. And her album whokill is a must hear for anyone who even has the inkling of an appreciation for challenging, thought provoking music that still manages to satisfy on every level. Put simply it's one of the best album released this year.
When we saw Merril and Co. last time here, the buzz was beginning to build behind the album, but had really only spread throughout critics circles and completely obsessive music nerds. She played the Red Palace on H Street, a room that fits 200 on a good day, and at that point in time came off as almost scared of the crowd ammased before her. When she was in the song, she was a veritable hurricane of musical muscle, but the spaces between revealed a somewhat shy performer who may not have quite been sure yet as to why exactly all these people were here in front of her.
Jump forward to Saturday night at the Black Cat. During opener Pat Jordache's (more about him in a minute) set, her and bass player Nate Brenner could be seen side-stage GETTING THE F@#@ DOWN to the 80's inflected sounds that Jordache and his crew were pumping out. It was a joyous discovery to glance over and see this celebration taking place, and it fairly set the tone for the rest of the evening.