The penultimate song on The Suburbs was an inflection point for Arcade Fire. The track, “Sprawl II (Mountains Beyond Mountains),” featured an exuberant Regine Chassagne on vocals over a retro-glossy synth-pop track. It suggested that her real comfort zone was not in aspirational arena-filling anthems, but on the dance floor. Although the album went on to win Album of the Year at the Grammys, the sound that Arcade Fire was known for changed in line with the new musical times - more “Sprawl II” than “Neighborhood #1 (Tunnels).” Their latest album Everything Now signaled that it wasn’t just a phase - the title track and other tracks are more danceable than anything in their back catalog but at the expense of the anthemic qualities of their earlier work.