From the ashes of legendary Australian punk mainstay The Drones has risen the mighty Tropical Fuck Storm! On their follow up to 2018’s A Laughing Death In Meatspace, Gareth Liddiard and crew are tearing at the walls of sonic reality yet again, this time as they stare straight-faced into the coming apocalypse. Special guest PJ Sykes joins us to dissect one of the most raucous, and maybe most essential, releases of 2019. You’re probably not ready for Braindrops, but that’s OK…we’re here to help.

Musician. Educator. Podcast Host. Cat dad.

Casey Rae is a man of many talents, and with William Burroughs and the Cult of Rock ‘n’ Roll he adds “author” to that list. Equal parts history of and on-ramp to all things Burroughs, Cult tells the tales of the long strange trips that artists throughout rock ‘n’ roll history took to worship before their pope of dope,” how the words of one man influenced our modern world in ways we can hardly imagine, and much more!

Brad Mehldau, simply put, is one of the most respected living jazz players on the planet. He’s also one of the most prolific. Think Stephen King levels of prolific, but for music. Many of you may know him from his work covering some Radiohead tunes, but rest assured he is much MUCH more than that. In fact, on his new album Finding Gabriel, he is doing nothing less than searching for the meaning of life, the universe, and everything. Suffice to say the album is HEAVY, but it’s also one of the most exhilarating listens of the year in any genre.

Pairing one of today’s most gifted jazz guitarists (Anthony Pirog) with one of rock ‘n’ roll’s fiercest rhythm sections (Brendan Canty and Joe Lally) was always going to be a recipe for success, but on their sophomore LP Anthropocosmic Nest, Washington, D.C.’s The Messthetics are blowing past the old goals and delivering one of the most raucous and satisfying releases of the year. Wildly inventive with surprises awaiting the listener at every turn, Nest is an ecstatic proclamation of skronk-and-circumstance that says not only are The Messthetics BACK, but they’re here to stay!

Now that she’s found true love, on her new album Lover pop domineer Taylor Swift is stepping out of the shade and leaving the H8R/revenge life behind. Or is she? Avoid Swifty Eduardo Nunes joins us to talk through the good, the bad, and the awkward of Swift’s latest which ***SPOILERS*** most definitely does not “…hold the key to pop music’s survival” but also might not be that bad in the end.

On August 7, 2019, beloved indie-rock poet laureate David Berman committed suicide, leaving his family, friends, and fans devasted. Purple Mountains, a sophisticated, sad, and often hilarious look at Berman’s interior and the world at large, is the final statement from an artist whose words and songs are stitched into the DNA of an entire generation. Join as we discuss Berman’s legacy, how depression and anxiety can crush us if we're not careful, and how an album that looks unflinchingly at the abyss can still offer hope in the darkest of nights.

If you are struggling, here are few of the many organizations you can reach out to. Please reach out.

• National Suicide Prevention Lifeline: 1-800-273-8255

• MusiCares

• Nuci’s Space

• Silence The Shame

• American Foundation for Suicide Prevention

After several years working behind the scenes, the legendary Raphael Saadiq returns to the spotlight to deliver his most personal, and compelling album to date. Jerry Lee (named after his brother who was an addict who died of AIDS) takes a profoundly human look at not just the consequences of addiction, but the underlying causes. Oppression comes in many forms in this world, and Saadiq explores that theme with compassion, an understanding of just how deeply all of us are connected, and a belief that it is only love that can save us in the end.

Austin, TX's Mike and The Moonpies have come a long way from playing the dancehalls of their native Texas. On their new LP, Cheap Silver and Solid Country Gold, the quintet is leaving the honky-tonk behind and exploring the sounds of smoothed out 70's Country with the help of their friends the London Philharmonic Orchestra. Recorded at the famed Abbey Road Studios, Cheap Silver is bringing countrypolitan "back" in a big way, and the results are a timeless listen that is also one of the years best.  

For their 15th album (and 2nd this year), Australia’s King Gizzard and the Lizard Wizard take yet another musical turn, this time into THRASH METAL. Infest The Rat’s Nest has everything: HUGE CRUSHING RIFFS! THUNDERING DRUMS! SCI-FI ECO-DIMENSIONAL HORROR! It even has SATAN!

But it’s that second-to-last point that’s so important. Somehow, impossibly, King Gizzard has made a metal album that not only sounds timeless but speaks to the horrors we’re all going to face as man-made climate change runs its course. Metal enthusiast Casey Rae (William Burroughs and The Cult Of Rock ‘N’ Roll, Dead To Me) joins us as we follow King Gizzard down the highway towards oblivion on an all-new episode of Discologist!

On their seventh album (and first in five years) The Hold Steady isn’t so much “We’re BACK mother****ers!” as they are “Alright. Alright. Alllllright”-ing their way back into our hearts.

Thrashing Thru The Passion finds the band sporting a slightly looser and expanded sound (horns!) and songwriter Craig Finn’s druggy, party-filled universe, a little older, a little beat down, but no less full of life. Join us as we dig into all of the good, bad, and magical highs found on the “return” of one of America’s most celebrated bands.

Sleepwalkers 2014 LP Greenwood Shade was, and remains, one of our favorites of the past few years. Finally five years later their follow up, Ages, is here and it was well worth the wait. While Shade wore its shagginess on its sleeve, Ages sees brothers Michael and Austin York and co-conspirator Alex DeJong polishing up the edges and delivering the power-pop masterpiece we deserve just when we need it the most. Get ready to experience a record that surprises at every turn as Kevin and Eduardo go IN on this instant classic.

PLUS! LA supergroup Grand Canyon has a new EP out, and fans of Tom Petty, Fleetwood Mac, and [checks notes] Guns N’ Roses (?) are going to want to check them out. We’ve got their latest single “Yesterday’s News” to get you acquainted.

Chris Rosenau (Collections of Colonies Of Bees, Volcano Choir) and Nick Sanborn (Sylvan Esso, Made Of Oak) have traveled in the same creative circles for years now, but it was an off-the-cuff improv set at the inaugural Eaux Claires fest that has led to one of the most powerful releases of 2019, Bluebird. The open window and doors of the small North Carolina studio that Bluebird was recorded in gives the EP a sense of place in the world, but it is the magic weaved between Rosenau’s guitar and Sanborn’s electronic wizardry that pulls the listener wholly out of time and space into a moment of creation that is unlike anything you’re likely to experience this year.

On his follow up to 2018’s The Optimist, Ryan Porter and his friends the West Coast Get Down are once again swinging for the fences and bring jazz into the spotlight for a whole new generation. Rehearsed and recorded in five-hour bursts in multiple locations, Force For Good is a fearless step forward into the future of American jazz that celebrates America’s greatest art form even as it challenges what came before it. Join us as we discuss Porter’s seemingly limitless talent, the normalization of jazz in the popular culture, and much more. 

On his latest album as Fruit Bats, Eric Johnson is looking back at dark times almost fondness, taking joy in the even the smallest of steps towards a brighter future that awaits.

Gold Past Life — his first LP on Merge Records — signifies the start of a new era for the lauded singer/songwriter. The end of the road he started out on with 2014’s EDJ, it’s songs are overflowing with harmonies, hooks, and, most importantly, heart. A life-affirming slice of pure pop perfection, it is Johnson’s finest work to date and one of the few albums you NEED to hear in 2019.

In the modern music era, most new releases come saddled with histories we’re supposed to believe in, recycled narratives, and increasingly thirsty marketing “hooks.” Which is what makes Rose City Band’s self-titled debut such a unicorn of an album.

There are only two things that we know for sure about this band:

1) Ripley Johnson (Moon Duo, Wooden Shjips) produced it.

2) It jams.

Refreshing AF, right?

Special guest Jonathan Hart (Brokedown Pod) joins us to discuss why Rose City Band is destined to be the soundtrack of your Summer, the resurgence of “jam band” music in the mainstream, and more.

On his nineteenth album (and first in five years) rock and roll legend / Broadway star Bruce Springsteen is turning his gaze to the “West,” and the results are a totally unique, if not polarizing, new entry into his lauded body of work. Western Stars utilizes the sounds of late 60’s Capitol Records (Glen Campbell, The Wrecking Crew, Phil Spector) to color the stories of men on the frontier, not just of America, but the edges of their lives.

Is Western Stars a fine return to form for the Boss or a stylistic bridge too far? Tune in to an all-new episode of Discologist as we tackle these questions and much, much more.

Whether you see Born In The U.S.A. as Springsteen’s most significant achievement as an artist or just a strange, 80’s sounding outlier in an otherwise muscular catalog, it remains to this day one of the most potent statements about the down-and-out in America ever made.

Despite its rock ‘n’ roll sheen, misunderstood rallying cries, and anthems to nostalgia, Born In The U.S.A. was a hopelessly bleak look at what it meant to be an American in the wake of the Vietnam War that, thirty-five years later, still resonates across generations, class, and race. A monument to the ‘everyman,’ it marked the end of an era for Springsteen that, despite its darkness, finally launched him into the pop stratosphere that he and the E Street Band had been chasing for more than a decade.

On an all-new Discologist, we’re dissecting this classic to get to the heart of its persistent relevance today, how it shapes the long-view of Springsteen’s career and a particularly “moist” song that also happens to be particularly great.

Is Dedication, Carly Rae Jepsen’s follow up to her critically lauded 2015 LP E•MO•TION the realization of the pristine pop future that we were all promised or is it something…else. We’re digging in to one of 2019’s most anticipated releases to find the answers to this question and many more on an all new and {{{extremely}}} danceable episode of Discologist!

Thirty years ago Robert Smith and The Cure taught an entire generation how to experience the beauty of misery, and in the process made the best albums of their career. On the latest episode of Discologist, special guests Casey Rae and Wes Covey join us to talk about teenage feelings, commiseration through sound, and growing older with one of the biggest, most beautiful downers in music history.

On their new album Destroyer, Stephen McBean tempered their already ferocious sound in the forge of Valhalla and crafted one of the most thrilling releases of the year. Moog synth blasts, lakes of fire, and riffage for days make this rock-n’-roll fantasy essential listening for headbangers everywhere whether you’ve got a sweet 8-Track player in your van or not!

PLUS! Motorcade is unleashing ‘Oblivion’ upon the world and we’ve got one of your first listens to this killer new single!