Best Of 2024 - Side A
On part one of our two-part year end extravaganza, we’re discussing some of our favorite new music from the Milwaukee and DC scenes, the state of the music industry, honorable mentions for our favorite albums of the year, and more.
New music from Julian Lage, Knower, Amaro Freitas, Maximilian and the Reinhardt, and more.
Join Eduardo & Kevin on a jazz odyssey discussing new music by Julian Lage, Knower, Amarao Freitas, and more. Plus, the world premiere of "Down By the Lake" from Kevin's upcoming album, The Lake.
Basehead's 'Play With Toys' PLUS! Music We Love From Ladybird, HNNY, And More!
On this edition of discologist we’re spinning new tracks from Milwaukee’s Ladybird, Sweden’s HNNY, and then digging into 1992’s Play With Toys, the forgotten classic by the Michael Ivey fronted “hip hop” group Basehead from Washington D.C.
Tune in now for all this PLUS new music from Maximilian and the Reinhardt, and a discussion about THAT Pitchfork list that everyone is talking about.
'my name was gus' - Maximilian and the Reinhardt
In layman’s terms, the Boltzmann Brain Theory imagines a universe where the only thing that matters is what we perceive. Are we beings flitting about in a universe of someone else’s design or are we simply “brains” floating briefly thru the void, imposing OUR universe on that emptiness and anyone who happens to cross our path?
That central idea was the spark that drove this piece for most of its development, but as it came in to sharper focus the question of “what?” or “why?” we exist and perceive became secondary to the act of perceiving itself.
We spend so much of our lives searching for answers — Why do I exist? Why would “God” allow so much suffering in a world of his own creation? Is Bigfoot real? — and rarely have the thought to simply let a moment be, let it go, and look forward to the next. And that’s where this piece landed.
John Carpenter's 'Firestarter' Score and the Magic of Movie Music
Music plays a huge role in shaping the tone of any film, and on a special Holiday edition of Discologist we’re exploring some of the best to ever put sound to image, starting with John Carpenter whose new score for the film Firestarter mines familiar territory for the director/composer but manages to be a unique and essential addition to his growing film score catalog.
Dim the lights and break out the popcorn, we’re headed to the movies!